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Music recorded in 1890

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Music recorded in 1890

The year 1890 saw the passage of the Sherman Antitrust Act and the Sherman Silver Purchase Act, both named after John Sherman (1823–1900), in the United States; the admission of Idaho and Wyoming to statehood; the first general election for Japan's House of Representatives and the opening of the Imperial Diet; and the Wounded Knee Massacre, which effectively ended the American Indian Wars. It was a year in which the contradictions between the expansion of industrial capitalism and imperialism and national integration suddenly erupted.

In the fields of science and culture, in addition to modern scientific and environmental conservation movements such as Herman Hollerith's (1860–1929) punch card tabulating machine for the U.S. census, Clément Ader's (1841–1925) powered flight experiments, and the designation of Sequoia and Yosemite National Parks, there were also the premiere of Pyotr Ilyich Tchaikovsky's (1840–1893) ballet The Sleeping Beauty, the first cylinder recording by a black artist by George W. Johnson (c. 1850–1914), and the exhibition of Vincent van Gogh's works in Auvers-sur-Oise. The period coincided with the final years of his career and the death of the composer (1853–1890), and saw the rise of 20th-century music recording culture and modern art trends.

In 1890, Jesse Walter Fewkes (1850–1930) made field recordings (wax cylinders) of the Passamaquoddy and Zuni Indians, among others, and these “Passamaquoddy Indians field recordings” are registered in the National Recording Registry.

Confirmed recordings from this year: 105

Music believed to have been recorded in 1890 (date unknown)

Both recordings are commercial Gramophone discs, marked only with "Year Recorded: 1890," but the exact date is unknown. They correspond to tracks 1 and 2 on CD1 of "Waxing the Gospel."

TitleArtist
The Lord's PrayerEmile Berliner
In the Sweet By and Byn/a

These are very early religious recordings, recorded not on Edison cylinders but on Emile Berliner's (1851–1929) flat disc gramophone. The recordings are presumed to have been made in the Washington, D.C. area, but primary sources only list the year as "1890," and the specific date is unknown.

Music presumed to be recorded in 1890 (ca. 1890)

TitleArtist
Twinkle Twinkle Little StarEmile Berliner
The Whistling CoonGeorge W. Johnson
The Laughing SongGeorge W. Johnson

These three pieces are believed to have been recorded around 1890 (date unknown), making up a small set that showcases the differences in recording method - disc recording (Berliner) and wax cylinder (Johnson) - within the same year. The set includes short, standard nursery rhymes alongside stage performances featuring singing and vocal talent (whistling/laughter), suggesting that early recordings were expanding in both the "family" and "vaudeville" directions.

Sound sources with a clearly stated "estimated recording year range (xx-xx)" including 1890

TitleArtist
Di quella piraDmitry Andreevich Usatov
La Media NocheUnited States Marine Band
An Irishman's PerplexityMrs. McCormick
The Third Verse of Mary and John, or, The Lovers' QuarrelWill White

These four pieces are a microcosm of early recordings spanning the 1890-1891 period, demonstrating that recordings at the time had already expanded into many genres, including opera soloists, military bands (instrumental), and entertainment recordings (monologues/skits). Even within the same time span, there is a mix of media and distribution (high-end Bettini cylinders, entertainment recordings for the general public, etc.), suggesting a period in which the recording industry simultaneously fostered both the preservation of the arts and popular consumption.

Discography of Etching the Voice: Emile Berliner and the First Commercial Gramophone Records

These recordings are included in the discography of "Etching the Voice: Emile Berliner and the First Commercial Gramophone Records," a collection of Berliner's early commercial recordings, and the recording years are all listed as "1890-95."

TitleArtist
Alfred Jones [version 2]n/a
Auld Lang Synen/a
Blue Bells of Scotlandn/a
By thy cold breast (Byron's “Manfred”)n/a
Czarenlied, from “Czar und Zimmermann”n/a
El Credon/a
Father Williamn/a
The Flowers that Bloom, from “The Mikado”n/a
Fra Diavolon/a
Gesängen/a
God Bless the Prince of Walesn/a
God Save the Queen!n/a
Gramophonen/a
Hark! The Herald Angels Singn/a
Hobelliedn/a
Home! Sweet Home!n/a
I Due Ladri e l'Asinon/a
In the Sweet By-and-Byn/a
Jägers Abschiedn/a
La Boiteusen/a
La Marseillaisen/a
La Rondinellan/a
Le Corbeau and le Renardn/a
Le Père la Victoiren/a
Lena, la bella Lenan/a
A Little Ship Was on the Sean/a
Long, Long Agon/a
Me Gustan Todas / Aroro Mi Nenan/a
The North Windn/a
Numeri, La Settimana, Le Mesin/a
Numeros, Dias, Mesesn/a
Old King Coaln/a
Old Mother Hubbardn/a
Pilgrims' Chorus, from ’Tannhäuser“n/a
Proverbsn/a
Rule, Britain!n/a
Sing a Song of Sixpence / Oh, Carry Me Backn/a
Sing a Song of Sixpence [3-in doll disc]n/a
Ta-ra-ra Boom-de-ay!n/a
Versos y Canton/a
We don't want to fight [version 2]n/a
Whist! The Bogie Mann/a
Who Killed Cock Robin?n/a
Willow Tit-Willow, “from The Mikado”n/a
Wot Cher!n/a

These are the earliest Gramophone discs, thought to have been recorded mainly in London and Hanover, and are a core group of sound sources from the "disc side of the 1890s," a lineage separate from the Edison cylinder lineage.

Gruo's "phonogramic album" (c. 1888–1891)

The Gruaud "phonogramic album" (c. 1888–1891) is a collective term used to refer to the earliest wax cylinder recordings made by George Edward Gouraud (1842–1912) in London and other parts of Europe, as well as his concept of an album compiling "the voices of the world's greatest men." MOPM has organized related recordings from around 1888–1891 under this framework, and has posted a list of the recordings and background information on a dedicated page.

Ruben Collection

The Ruben Collection (Ruben-samlingen) is a collection of Denmark's earliest wax cylinder recordings, produced in Copenhagen by Gottfried Moses Ruben (1837–1897) between 1889 and the mid-1890s. MOPM has collectively organized the wax cylinder recordings made between 1889 and the mid-1890s as the "Ruben Collection," and has posted a list of the recordings on a dedicated page.

Songs recorded in the 1890s, but the year is unknown (Release year: 189- / 189-?)

This list compiles recordings that can be determined to be from the 1890s (1890-1899), regardless of the source, but for which the year (1890-1899) cannot be determined. To prevent duplication, recordings of songs with the same title are treated as separate records, and are listed based on sources where the release year is written as "189-", "189-?", etc.

TitleArtist
“Thoughts of home” polka played by Issler's OrchestraIssler's Orchestra
Baritone vocal solo by Carmi VaughnCarmi Vaughn
Choral musicVaughn family
members
Mandolin and guitar duet: Dixie and Yankee DoodlePaul Kline
Arthur Vaughn
Gems of Ireland quadrilleBanta's Popular Orchestra
Dancing in the kitchenBanta's Orchestra
Angel's serenata (Serenata)Metropolitan Orchestra
St. Patrick's DayJ.W. Gulley
La fille de Madame Ohngo (Fille de Madame Angot)
[quadrille]
n/a
[Waltz music]n/a
Sambre et Meusen/a
Fille du régiment[Selections; arranged]n/a
Deacon went astrayDan W. Quinn
Just say goodbye againGeorge Gaskin
Cross roads of lifeHerbert Holcomb
PalmsHerbert Holcomb
La-didily-idily-umti-umti-ayDan W. Quinn
Gayest Manhattan marchRuby Brooks
Carnival of VeniceCharles P. Lowe
Whisper your mother's nameDan W. Quinn
And the parrot saidDan W. Quinn
Salley in our alleyn/a
[Vocal solo, with organ accompaniment]Grace Marvin
[Vocal solo: “Tyrolienne comedie”]Bravo Messieur
Victor Lejal
[Unidentified male vocal solo]n/a
[Brown wax home recording of Selections from Spring Song]Brunswick Orchestra
[Brown wax home recording of Two step–Brunswick flyer]Brunswick Orchestra
[Banjo solo by unidentified performer of unidentified selection]n/a
[Banjo solo (title unknown)]n/a
[Trovatore. Miserere]Cornet and euphonium duet
My silly old tuneEdison Male Quartet
Playing on the golden harpLen Spencer

The above list is a comprehensive compilation of all recordings that are proven to have been made in the 1890s, even if the definitive year is unknown. We will continue to scrutinize new materials as they are discovered and existing materials are updated, and will update the list as necessary, prioritizing the elimination of duplications and the prevention of omissions.